Released in March 1968, and included here, "I Can't Let Maggie Go" became the third Honeybus single and the one which would ensure their place in the history books. The single hit number 8 in the UK and became a huge hit worldwide. And still Honeybus remain a unique group in so many ways. Their legacy has become cherished more and more, its quiet majesty singling them out from the few contemporaries they had. While plaudits for the group’s sole Deram album, 1970’s exemplary Story continue to roll in as fresh generations of pop connoisseurs discover its charms, and the group’s subsequent ill-starred excursions into the studio in the early ’70s (the long lost Recital album and the rarities companion volume For Where Have You Been: The Lost Tracks, released by Hanky Panky /Mapache in 2018) simply add further depth and kudos to their already Godlike status, their run of half a dozen 45s has been side-lined somewhat. Now for the first time ever the 12 sides released on Deram by the Mk I and Mk II line-ups of the group between 1967 and 1970 have been sourced from the master tapes, assembled in chronological order and presented in album fashion.

Originating from Austin, TX, EXPANDER has subverted traditional band trajectories to receive global recognition of their unique brand of futuristic metalpunk since forming in 2014. With their second full-length album, “Neuropunk Boostergang”, the group aggressively channels the anxieties foisted on us from oppressive systems using every weapon at their disposal: pummeling rhythms, transcendent melodies and wild vocal deliveries that keep listeners on guard for whatever might come crawling from the wastes next.

This special Collectors Item is the newest release from Mos Generator. Mos Generator is the brainchild of multi-instrumentalist and producer Tony Reed. Having remained a steady presence in the rock n roll underground for many years. Mos Generator formed during the winter of 2000 in Port Orchard, Washington from the ashes of a ten year off & on collaboration between its three members, all of which are long time veterans of road & studio. The need to strip down to the basics of hard rock was apparent from the start and continues to be the foundation for all the bands recent material. In Good tradition of Hüsker Dü Mos Generator turned their Hit Diana in a new garment. To complete this H42 Records Limited Edition Release there is a another new song called Flower & Song and two old songs witch were originally released 2015 on a special Bonus Tape (ltd. 75 copies). All Vinyl came with an exclusive silkscreened B-side (black vinyl with white silkscreen) Flower & Song and Diane are previously unreleased. Slow/Moody and Early Mourning (live) originally released on (Bonus)Tape only in 2015 by H42 Records t s as pure an example of heavy rock as I ve heard. JJ Koczan The Obelisk TRACK LISTING Side A: 1. Flower & Song 2. Diane 3. Slow/Moody 4. Early Mourning (Live Freak Valley Festival 2015) Side B: Exclusively silkscreened B-Side

For the better part of 15 years, Canada's PANZERFAUST have been steadily crafting some of the finest, most thought-provoking black metal. With their The Winds Will Lead Us... debut album in 2006 onward, their obsidian flower forever kept blossoming, culminating in 2013's pivotal Jevohah-Jireh: The Divine Anti-logos, which signaled a significant (and fortuitous) shift in the band's aesthetic. In 2016, PANZERFAUST released The Lucifer Principle EP, pushing their adventurous spirit yet further, perhaps most forecasted by the closing Johnny Cash cover. However, it was 2019's The Suns of Perdition - Chapter I: War, Horrid War where PANZERFAUST truly had their watershed moment. Released to widespread acclaim by EISENWALD, this staggering work brimmed with daring and dynamics - a kaleidoscopic fury, if you will - that vivaciously and viciously displayed a band hitting their creative peak. The album was the first chapter of the band's tetralogy examining the malign episodes of this past century, shining a light on difficult subject matter using a begrimed philosophical lens. The resulting synthesis is what George Orwell once described as [a vision of the future] "a boot stamping on a human face forever." Alas, PANZERFAUST waste no time in delivering the next chapter of that tetralogy - and equally keep a fever pitch to that creative peak - with the much-anticipated The Suns of Perdition II: Render Unto Eden. Recorded at BWC Studios with Greg Dawson and with mastering by Sergei Lazar at CDM Records, Render Unto Eden is an altogether more somber record: here do PANZERFAUST more fully work with light and shade, their darkness displaying far more hues than previously deemed imaginable. Whereas the five-song first chapter was taut 'n' terrorizing, The Suns of Perdition II likewise features five songs but in a more expansive 44-minute runtime. As such, massive vistas of molten melancholy unfold, the inexorable push-and-pull patient but persistent; layers upon layers of understanding are packed into each of these scintillating minutes. The violence is more carefully doled out, in kind, and the sum effect is nothing short of hypnotic, particularly the track "Promethean Fire," which features guest vocals from Maria Arkhipova of Russia's Arkona. The Suns of Perdition II: Render Unto Eden echoes within the mind and spirit long after the record's over... TRACKLIST 1. Promethean Fire [10:22] 2. The Faustian Pact [8:10] 3. Areopagitica [7:34] 4. The Snare of the Fowler [9:54] 5. Pascal's Wager [8:00]

The 1996 Greek black metal classic re-issued on limited edition black vinyl with bonus tracks + poster! An album that was composed and recorded under an intense inner search which resulted in maybe the most soulful album they ever created. Rotting Christ welcome you to their majestic world and hope you will enjoy your trip into the glorious 90's Black Metal sound. TRACK LISTING King of a Stellar War A Dynasty from the Ice Archon Snowing Still Shadows Follow Tormentor (Kreator cover) One with the Forest Diastric Alchemy The Opposite Bank The First Field of the Battle Flag of Hate/Pleasure to Kill (Kreator cover)