REMASTERED RE-ISSUE WITH ORIGINAL ARTWORK AND BONUSTRACK. LIMITED FIRST PRESS WITH DELUXE EMBOSSED SLIPCASE ! Clear/black smoke vinyl Eisenwald presents The White EP: a collection of dark folk & ambient work written & recorded between 2004 - 2007. Originally released in 2008 by now defunct Vendlus Records, the White is the last installment of two companion releases & the stylistic counterpart to the Grey. This remastered re-issue includes the rare track “Where Shade Once Was”. For over twenty years the Pacific Northwest group Agalloch had defined what it means to combine influences from a variety of musical genres into one brooding, colossal, and cinematic sound that provides the soundtrack to existential themes concerning man, nature, loss, and death.

REMASTERED RE-ISSUE WITH ORIGINAL ARTWORK AND BONUSTRACK. LIMITED FIRST PRESS WITH DELUXE EMBOSSED SLIPCASE ! 180G white vinyl Eisenwald presents The White EP: a collection of dark folk & ambient work written & recorded between 2004 - 2007. Originally released in 2008 by now defunct Vendlus Records, the White is the last installment of two companion releases & the stylistic counterpart to the Grey. This remastered re-issue includes the rare track “Where Shade Once Was”. For over twenty years the Pacific Northwest group Agalloch had defined what it means to combine influences from a variety of musical genres into one brooding, colossal, and cinematic sound that provides the soundtrack to existential themes concerning man, nature, loss, and death.

REMASTERED RE-ISSUE WITH ORIGINAL ARTWORK AND BONUSTRACK. LIMITED FIRST PRESS WITH DELUXE EMBOSSED SLIPCASE ! Eisenwald presents The Grey EP: A collection of destroyed & rebuilt songs from “The Mantle”. The Grey is the first installment of two companion releases, originally released in 2004. This new edition includes the original artwork and arrives with exclusive bonus track recorded in 2003, that has never been released on any format. For over twenty years the Pacific Northwest group Agalloch had defined what it means to combine influences from a variety of musical genres into one brooding, colossal, and cinematic sound that provides the soundtrack to existential themes concerning man, nature, loss, and death.

The inevitable regeneration of LORD MANTIS occurred when vocalist/bassist Charlie Fell and guitarist/vocalist Andrew Markuszewski decided to mend ties and once again join forces for a new renewed union to properly carry on the LORD MANTIS legacy, mired in chaos and virulence, by honouring the memory of late drummer/founder Bill Bumgardner with their new album “Universal Death Church”. With guitarist Ken Sorceron of Abigail Williams fame (who also joined LORD MANTIS on “Death Mask”) and new drummer Bryce Butler, along with honorary vocalist/member Dylan O’Toole of Indian, “Universal Death Church” is the result of a band who has overcome dark and chaotic chapters and bitter internal feuds to set out once again to raise the bar of extreme music after the suicide of a key founding member in the ranks. “Universal Death Church” sees LORD MANTIS with a new sense of purpose and focus. More developed and immeasurable, vast and towering, “Universal Death Church” continues the doomed and blackened depraved metal paradigm that has become the signature resonating palpitation surrounding the LORD MANTIS sound. The threading between punishing, torturous yet direct and at times tangible industrial-influenced riffing with the more abstract, dark, blackened surreal-like crawling and swift passages paint a new disturbing sonic portrait for the band. The renewed union of LORD MANTIS became akin to that of repairing tissue of an unnamable and vile organism. Leveling up the beast.

Helmed by vocalist/multi-instrumentalist Sean Kratz, OSI AND THE JUPITER first emerged from its cocoon in 2016 with the debut album Halls of the Wolf. Led by the ever-poignant, goosebump-inducing cello work of co-conspirator Kakophonix, the album set forth the band's aesthetic, which would come to even fuller fruition the next year with Uthuling Hyl, released by current label home EISENWALD. Not surprisingly, Uthuling Hyl became many people's introduction to OSI AND THE JUPITER, and garnered the group favorable comparisons to Warduna, Forndom, Of the Wand and the Moon, Sonne Hagal, and Vàli among others - esteemed company, to be sure. However, OSI AND THE JUPITER are, by comparison, an American entity, which imbues their creations with a strange and totally unique disconnect from the Old Europa similarly channeled by those aforementioned contemporaries. There exists within their creative sphere a distant yet psychically strong conduit to the lore and traditions of the ancients - a veritable bloodline that empowers Kratz and Kakophonix. A surer-footed suggestion of such came with the Grå Hest 7" this past August, and now fully blossoms with the band's masterful third album, Nordlige Rúnaskog. Quite possibly the most perfect music for autumnal fires and the dying of summer's light, here do OSI AND THE JUPITER weave wistful ruminations on old days, The Old Ways, and the ways in which the turning of the seasons mark our lives. It's every inch the superior to the group's preceding recordings, and yet no marked changes have occurred within this iron-girded aesthetic. Simply, Nordlige Rúnaskog is the sound of OSI AND THE JUPITER at the height of their magickal powers, and we are all the richer for bearing witness to their plaintive paeans.